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If you are a teacher searching for educational material, please visit PBS LearningMedia for a wide range of free digital resources spanning preschool through 12th grade. ½ I don't know why they're talking about George Harrison in a documentary about Madonna, but hey, I'll run with it, because I'd much prefer to learn about someone who helped liven up the music industry, rather than someone who helped in killing it. Okay, she's had a fair couple of decent songs, but I'm telling y'all, the day Madonna covered 'American Pie' was pretty much the real day the music died, so she can keep her own material world. Jokes about the title aside, I was always wondering why they haven't gotten around to an extremely lengthy, especially extensive documentary about The Beatles, but after seeing that the documentary on George Harrison, alone, exceeds three-and-a-half hours, I'm afraid to see how long my proposed documentary epic on The Beatles would be. Well, to be fair, this is Martin Scorsese we're talking about, and he could do a documentary on grass, and you'd be there a while. Yeah, I know that it's only his music documentaries - of which, there are many - that are especially lengthy, which is why by grass, I mean, weed, because if he did a documentary on weed, let alone any other drug in the music industry, I doubt it would ever end. The segment with The Beatles, alone, would make this documentary look about as long as a short episode of Biography.

Eh, I'll deal with it, because Martin Scorsese sure knows how to make a good documentary, which of course makes this film all the more disappointing, which isn't to say that it's bad, or even mediocre, yet it is to say that this documentary stands falling short of Scorsese's documentarian abilities, as well as telling George Harrison's story. Palit gt 430 drajver. I know it's going to sound like a nitpick, but I just have to complain about the intentionally jarring editing, especially when it comes to this film's little stylistic choice of building momentum and resonance during one bit, primarily through really blaring music, only to jarringly snap it silent right at the moment in which we transition into the next bit. The reason why this is not a nitpick is because it happens 'so much', and I am not even kidding, as the documentary will just keep pulling those jarring stylistic choices that just fire you out of it, and yet, those jarring tonal shifts remain among the least of this film's problems. The tonal shifts don't just bother me because they're uneven, but because when this film isn't really pumping out the theatrical atmosphere, it dulls down something fierce, and it really doesn't help that it's often repetitious as all get-out. Still, the core issue with this film that really drives home its underwhelmingness is the simple fact that it's depth is ever so limited, with the occasional piece of information feeling redundant and a fair couple of information pieces really aren't that informative, feeling lacking in some material and specifics around the edges, yet most of all, a deep focus on what is conceptually its primary focus. The film messily meditates upon George Harrison, forcing him into its focus with such limited insight that all throughout, you pretty much hardly get to the core of who Harrison really was, rendering it a borderline failure of an effort. Well people, they you have it, I just saw'r a film today - oh boy - ('A Day in the Life'; if you don't get the reference to that awesome song, you disgust me) that's over 200 minutes and not all that good, contradicting my rule that if it's that long, then it better be good.